Prosthesis is a performance facility that investigates the crossings between memory and technology. The work brings together biographical aspects of the performer with memories of the dictatorship in Chile, questioning how these memories are mutually established and how technology can (or not) contribute to its projection in an intersubjective space.

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Through an interactive device created especially by the programmer Aaron Montoya, the public can manipulate and compose the performances of the performer projected in real videos to generate their own journey.

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Throughout the performance the artist extracts breast milk that at the end of the action offers the audience.